Honor Strength Discipline Tee Shirts Black
With Secure Checkout (100% Secure payment with SSL Encryption), Return & Warranty (If you’re not 100% satisfied, let us know and we’ll make it right.), Worldwide shipping available, Buy 2 or more to save shipping. Last Day To – BUY IT or LOSE IT FOREVER. Only available for a LIMITED TIME – NOT FOUND IN STORES! Click here to buy this shirt: Click here to buy this Nice life is a Shihtzu T-Shirt There are times when being a member of the LGBTQ+ community—and a lesbian in particular—feels like an Easter-egg hunt for representation. Queer women are used to mining everything from a cryptic celebrity Instagram to the discography of Taylor Swift for clues that someone in the public eye might be one of us, and to be honest, the constant hustle to be seen—especially for lesbians who don’t fit the skinny, white, femme, upper-middle-class, L Word mold—can be exhausting.All that might explain why the work of an artist and writer like Alison Bechdel feels so pivotal. Bechdel has been woven into the fabric of lesbian cultural identity ever since she started publishing the comic strip Dykes to Watch Out For in 1983, and at no point in her decades-long career has she ever compromised on directly addressing her sexuality. To understand Bechdel as a chronicler of lesbian issues only, though, is to sell her short; the exploration of queer identity makes up just one part of her broad oeuvre, along with the family trauma she examined in the 2006 graphic memoir (and later Broadway musical) Fun Home, the psychoanalysis she delved into in 2012’s companion piece Are You My Mother?, and—most recently—the lifelong obsession with exercise that she crystallizes in next month’s The Secret to Superhuman Strength (Houghton Mifflin Harcourt).Outside of the niche queer-graphic-novel world, Bechdel is perhaps best known for the Bechdel Test, a measure of the representation of women onscreen and in print. (For a work to pass the test, two female characters must talk to each other about something other than a man.) When, on a recent call, I ask Bechdel what it’s like to be forever enshrined in feminist history thanks to her eponymous test, she laughs and responds, “I feel very pleased by it, but for a while I felt a bit befuddled. I never sat down and said, ‘This is going to be a thing,’ but I’ve come to accept it and even feel proud of it.”Bechdel isn’t the type of artist to believe her own hype, even when said hype is well warranted. When I ask how it feels to have created work that so many queer people identify with, she’s hesitant: “I went through a period of feeling very anxious about that, because many young people would tell me that my comic-strip characters were the first lesbians they’d met. I was like, Oh, my God, what am I telling these people? I should be more careful. I don’t feel that concern as much anymore, partly because there are hundreds and thousands of people writing about queer stuff. It’s just a much wider field these days.”Perhaps it’s the widening of that field that freed Bechdel up to write The Secret to Superhuman Strength. Some might read the memoir’s description and expect an account from a woman beholden to Pilates or Flywheel or any other trendy boutique fitness class where an hour in a sweaty room costs roughly the same as a nice meal out. But for Bechdel, exercise isn’t really about aesthetics; it’s about strength, a virtue she’s been in thrall to ever since she first saw bodybuilder Charles Atlas on TV as a child. At 60, Bechdel appears wholly uninterested in perpetuating the workout-as-self-care trope; she makes it clear that her relationship with exercise is something much deeper and more fraught.“I made a decision not to discuss body image in the book because I think it’s unusual for women not to talk about it.”“I love to see people exercise just because they want to. I don’t think it should be connected to anything else, or it will just become miserable,” says Bechdel. She admits, though, that it’s hard to center a whole book around exercise without occasionally falling into the trap of presenting it as a moral imperative. “I do feel a little sheepish about being so pro-exercise without having a thorough critique of sizeism, but I made a decision not to discuss body image in the book because I think it’s unusual for women not to talk about it.”Bechdel’s complex, often painful life story is a matter of public record—in Fun Home, she wrote about losing her long-closeted father to suicide shortly after coming out as a lesbian, and in Are You My Mother?, she chronicled her thorny relationship with her often-distant mother. In The Secret to Superhuman Strength, though, exercise is presented as a possible corrective to all that pain, a lifelong pursuit of self-improvement and internal balance that helped Bechdel through some of her toughest years. “Exercise is the one part of my life that isn’t riddled with conflict,” she says, adding, “I don’t want to come off as an exercise evangelist because I think that can be off-putting, but I like to think of it as a bit of relief from my cerebral life.”Bechdel’s graphic novels are often placed into contextual conversation with the work of other writers, and The Secret to Superhuman Strength is no exception. She ping-pongs between her own ideas and those of Ralph Waldo Emerson, Jack Kerouac, and Adrienne Rich, creating a canon around the art of moving one’s body that joyfully complicates the notion of exercise as an anti-cerebral activity (even if that is partly why Bechdel is drawn to it). Bechdel and her partner—the artist Holly Rae Taylor, who colored the book’s images—live in Vermont, where they favor long hikes and bike rides. Like many others, however, Bechdel had trouble adjusting her exercise routine to fit the confines of the COVID-19 pandemic, saying, “I was very sad to fall off the weight-lifting wagon when the gyms closed.”When I ask Bechdel what she hopes people take away from the book, I expect her to say more about the discipline that exercise has brought to her life. Instead, she’s almost philosophical in response: “I hope people take away a belief that it’s possible to really change. That’s a question I’ve often had for myself—like, Am I really making any kind of psychic or spiritual progress in my life? But I really do think that if we apply ourselves, we can change. The only thing is that it takes so much longer than anyone ever suspects! If we really knew how long it took to make real change happen in ourselves, we would quit immediately.” The concept of exercise bringing about change is one that’s all too familiar, given the rise of wellness influencers peddling at-home fitness routines and the ever-present onslaught of Noom and Weight Watchers ads that encourage prospective dieters to trade physical movement for extra food. It can be incredibly freeing, though, to begin to view exercise as Bechdel does, as a kind of ongoing commitment to oneself, rather than a snake-oil cure for the so-called problem of existing in a corporeal form.It feels overly simplistic to say that Bechdel is queering the act of exercising, but there’s a distinctly antiestablishment flavor to her desire to get stronger in a world that commands women to shrink down and cower before the male gaze. Bechdel says she’s heartened by the strides that the LGBTQ+ community has made since she first started writing and drawing, but she’s also aware that gains can always be lost and that progress only goes so far. (She singles out the recent legislative attacks on the trans community as “particularly troubling.”) With The Secret to Superhuman Strength, Bechdel has—intentionally or not—provided a kind of handbook for a community whose right to bodily autonomy and self-governance is still frequently called into question. And really, what could be more subtly revolutionary than that? For the last few months, something bizarre has been happening every time I pick up a book: My mind goes blank, and I start thinking instead about rewatching the queer season of Are You the One? To be fair, that particular season of reality TV is never far from my mind, but pre-pandemic, I loved nothing more than diving headfirst into a good book, whether it was LGBTQ+ fiction or a juicy celebrity memoir.Apparently, I’m not alone in my reading trouble; a May 2020 Vox story noted that many people were having trouble quieting their pandemic-incited anxiety and confusion for long enough to get lost in writing, with neuroscientist and psychologist Oliver J. Robinson saying of the phenomenon, “What we’re doing is trying to resolve this uncertainty that is unresolvable.”Of course, I still have to read a lot for work, but I’d be lying if I said I was taking as much enjoyment in books as I was before March of 2020. All that changed, though, when I heard the news that I May Destroy You creator Michaela Coel would be releasing her first book, Misfits: A Personal Manifesto, on September 7, 2021.I’ve been obsessed with Coel to a humiliating degree ever since I saw my first episode of her sitcom Chewing Gum, and the idea of getting to read hundreds of pages worth of her reflections on Hollywood, TV, fame, and whatever else crosses her mind actually has me excited to open a book again. “By turns inquisitive, devastating, beautiful, and hilarious, Michaela’s storytelling forever urges us to think again,” said Marianne Tatepo, Coel’s commissioning editor at Ebury, in a statement, and I don’t doubt Coel’s voice will be as kinetic on the page as it is onscreen. I do hope I catch the reading bug again sometime before Coel’s debut is released, but if I don’t, I’d be honored to break my literary fast with Misfits. Hurry up and get here, September! What do a brain-implanted microchip, a nefarious tech mogul, a sex doll named Diane, and a domesticated swimming-pool dolphin have in common? They’re all features of Alissa Nutting’s bizarre, brilliant 2017 novel, Made for Love, which centers on a fleeing wife who realizes that her billionaire husband is surveilling her from inside her own mind. The adaptation of that novel debuts as a dark sci-fi comedy starring Cristin Milioti, Ray Romano, and Billy Magnussen on HBO Max this Thursday, April 1.In advance of the series premiere, Vogue spoke to Nutting about the unique experience of seeing her novel make it onto the air, how her “dream cast” got her through a year made infinitely more difficult by COVID-19, her love of reality TV, and her love-hate relationship with technology. Read the conversation below.Vogue: When you were writing Made for Love, did you ever picture it onscreen?Alissa Nutting: Not when I was writing the book because I was so internal about it. After I was done, kind of, because then I was able to think beyond writing. I have a real kind of hermit process with stuff that’s on the page, though, and it’s almost, like, anti-visual. Some people have their desks facing outside to look at the beauty of nature, but I always want to look at a wall with no sound whatsoever. Nothing beautiful or distracting whatsoever.How are you feeling about the show’s premiere?Having been so involved in the writing for both the book and the show, it’s like, if people say, “Oh, the show is so much better than the book,” that will be sad for me in one way, and then if people are like, “Oh, the book is so much better than the show,” that’ll be sad too! I’m just kind of hoping that people will enjoy both, for both different and similar reasons.What was your experience like as an executive producer on the show?Well, that title can mean a lot of things, but I got to cowrite pretty much everything with Christina [Lee, Made for Love’s showrunner). We also had a writer’s room, but I was there for every second of shooting, prep, post, and editing, so it’s kind of been my life for the last two years. It’s a little surreal to see it be out in the world! (Laughs.)I know you said you didn’t think much about a TV version while writing, but…did you ever dream cast the book in your head?Yes, and Cristin Milioti was always my top choice. I never really wanted to think beyond her. We were able to get such an amazing cast. Ray Romano might not have been who I was initially picturing, but it was one of those things where the second [he] came up, there was this collective gasp and we just realized how perfect this beloved actor would be for a more curmudgeonly role. Billy Magnussen brought so much heart to it too; I can’t say enough good things about the cast. It’s been such a difficult year with COVID-19 and everything, but now these people are truly close to my heart.I’m such a fan of your debut novel, Tampa. Is that one you could ever see being adapted?Well, that one has a lot of its own unique challenges that it would bring to an adaptation, but with the right team…that would definitely be interesting.On another note, what have you been watching and reading to get you through this tough year?Well, I love a reality show. My very favorite show is Love After Lockup, where people fall in love while one of them is incarcerated, and then they’re released. I’ve also really gravitated towards self-help books in between reading scripts; you know, a lot of things about acceptance of the present moment. I would listen to those on Audible, and I found them really helpful.Is there anything in particular you hope that viewers take away from watching Made for Love in its TV form?Well, so much of it is about technology and really investigating the ways in which technology can both facilitate and negatively impact our relationships, especially romantic ones. That comes into play in so many relationships, whether it’s in terms of screen time or online porn or whatever it may be. There’s such a sense in our culture that you have to meet your other half in order to be whole and happy, and I think Made for Love is about two people seeking completeness in each other or in another kind of life. It’s also sort of about how when we look to something outside ourselves for satisfaction, whether it’s technology or another person, that’s going to catch up to us eventually.What does your own relationship with technology and social media look like these days?It’s both a lovely one and a hard one and—in some ways—kind of a voyeuristic one. The amount that I tweet is not at all indicative of how much time I spend on Twitter. The majority of the time that I spend on it is really just looking and reading. I use the internet pretty compulsively because I have an addictive personality, and then I’ll go on these quests to try to unplug from it and disconnect because I do see it as an emotional distraction in my life. This past year, though, what options did we really have? It’s a problematic relationship, but it’s also really tinged with gratitude because I feel like technology did help me get through a lot of isolation.This interview has been edited and condensed. Product detail: Suitable for Women/Men/Girl/Boy, Fashion 3D digital print drawstring hoodies, long sleeve with big pocket front. It’s a good gift for birthday/Christmas and so on, The real color of the item may be slightly different from the pictures shown on website caused by many factors such as brightness of your monitor and light brightness, The print on the item might be slightly different from pictures for different batch productions, There may be 1-2 cm deviation in different sizes, locations, and stretch of fabrics. Size chart is for reference only, there may be a little difference with what you get. Material Type: 35% Cotton – 65% Polyester Soft material feels great on your skin and very light Features pronounced sleeve cuffs, prominent waistband hem and kangaroo pocket fringes Taped neck and shoulders for comfort and style Print: Dye-sublimation printing, colors won’t fade or peel Wash Care: Recommendation Wash it by hand in below 30-degree water, hang to dry in shade, prohibit bleaching, Low Iron if Necessary Vistit Ncovshirts shop This product belong to hung2 Honor Strength Discipline Tee Shirts Black With Secure Checkout (100% Secure payment with SSL Encryption), Return & Warranty (If you’re not 100% satisfied, let us know and we’ll make it right.), Worldwide shipping available, Buy 2 or more to save shipping. Last Day To – BUY IT or LOSE IT FOREVER. Only available for a LIMITED TIME – NOT FOUND IN STORES! Click here to buy this shirt: Click here to buy this Nice life is a Shihtzu T-Shirt There are times when being a member of the LGBTQ+ community—and a lesbian in particular—feels like an Easter-egg hunt for representation. Queer women are used to mining everything from a cryptic celebrity Instagram to the discography of Taylor Swift for clues that someone in the public eye might be one of us, and to be honest, the constant hustle to be seen—especially for lesbians who don’t fit the skinny, white, femme, upper-middle-class, L Word mold—can be exhausting.All that might explain why the work of an artist and writer like Alison Bechdel feels so pivotal. Bechdel has been woven into the fabric of lesbian cultural identity ever since she started publishing the comic strip Dykes to Watch Out For in 1983, and at no point in her decades-long career has she ever compromised on directly addressing her sexuality. To understand Bechdel as a chronicler of lesbian issues only, though, is to sell her short; the exploration of queer identity makes up just one part of her broad oeuvre, along with the family trauma she examined in the 2006 graphic memoir (and later Broadway musical) Fun Home, the psychoanalysis she delved into in 2012’s companion piece Are You My Mother?, and—most recently—the lifelong obsession with exercise that she crystallizes in next month’s The Secret to Superhuman Strength (Houghton Mifflin Harcourt).Outside of the niche queer-graphic-novel world, Bechdel is perhaps best known for the Bechdel Test, a measure of the representation of women onscreen and in print. (For a work to pass the test, two female characters must talk to each other about something other than a man.) When, on a recent call, I ask Bechdel what it’s like to be forever enshrined in feminist history thanks to her eponymous test, she laughs and responds, “I feel very pleased by it, but for a while I felt a bit befuddled. I never sat down and said, ‘This is going to be a thing,’ but I’ve come to accept it and even feel proud of it.”Bechdel isn’t the type of artist to believe her own hype, even when said hype is well warranted. When I ask how it feels to have created work that so many queer people identify with, she’s hesitant: “I went through a period of feeling very anxious about that, because many young people would tell me that my comic-strip characters were the first lesbians they’d met. I was like, Oh, my God, what am I telling these people? I should be more careful. I don’t feel that concern as much anymore, partly because there are hundreds and thousands of people writing about queer stuff. It’s just a much wider field these days.”Perhaps it’s the widening of that field that freed Bechdel up to write The Secret to Superhuman Strength. Some might read the memoir’s description and expect an account from a woman beholden to Pilates or Flywheel or any other trendy boutique fitness class where an hour in a sweaty room costs roughly the same as a nice meal out. But for Bechdel, exercise isn’t really about aesthetics; it’s about strength, a virtue she’s been in thrall to ever since she first saw bodybuilder Charles Atlas on TV as a child. At 60, Bechdel appears wholly uninterested in perpetuating the workout-as-self-care trope; she makes it clear that her relationship with exercise is something much deeper and more fraught.“I made a decision not to discuss body image in the book because I think it’s unusual for women not to talk about it.”“I love to see people exercise just because they want to. I don’t think it should be connected to anything else, or it will just become miserable,” says Bechdel. She admits, though, that it’s hard to center a whole book around exercise without occasionally falling into the trap of presenting it as a moral imperative. “I do feel a little sheepish about being so pro-exercise without having a thorough critique of sizeism, but I made a decision not to discuss body image in the book because I think it’s unusual for women not to talk about it.”Bechdel’s complex, often painful life story is a matter of public record—in Fun Home, she wrote about losing her long-closeted father to suicide shortly after coming out as a lesbian, and in Are You My Mother?, she chronicled her thorny relationship with her often-distant mother. In The Secret to Superhuman Strength, though, exercise is presented as a possible corrective to all that pain, a lifelong pursuit of self-improvement and internal balance that helped Bechdel through some of her toughest years. “Exercise is the one part of my life that isn’t riddled with conflict,” she says, adding, “I don’t want to come off as an exercise evangelist because I think that can be off-putting, but I like to think of it as a bit of relief from my cerebral life.”Bechdel’s graphic novels are often placed into contextual conversation with the work of other writers, and The Secret to Superhuman Strength is no exception. She ping-pongs between her own ideas and those of Ralph Waldo Emerson, Jack Kerouac, and Adrienne Rich, creating a canon around the art of moving one’s body that joyfully complicates the notion of exercise as an anti-cerebral activity (even if that is partly why Bechdel is drawn to it). Bechdel and her partner—the artist Holly Rae Taylor, who colored the book’s images—live in Vermont, where they favor long hikes and bike rides. Like many others, however, Bechdel had trouble adjusting her exercise routine to fit the confines of the COVID-19 pandemic, saying, “I was very sad to fall off the weight-lifting wagon when the gyms closed.”When I ask Bechdel what she hopes people take away from the book, I expect her to say more about the discipline that exercise has brought to her life. Instead, she’s almost philosophical in response: “I hope people take away a belief that it’s possible to really change. That’s a question I’ve often had for myself—like, Am I really making any kind of psychic or spiritual progress in my life? But I really do think that if we apply ourselves, we can change. The only thing is that it takes so much longer than anyone ever suspects! If we really knew how long it took to make real change happen in ourselves, we would quit immediately.” The concept of exercise bringing about change is one that’s all too familiar, given the rise of wellness influencers peddling at-home fitness routines and the ever-present onslaught of Noom and Weight Watchers ads that encourage prospective dieters to trade physical movement for extra food. It can be incredibly freeing, though, to begin to view exercise as Bechdel does, as a kind of ongoing commitment to oneself, rather than a snake-oil cure for the so-called problem of existing in a corporeal form.It feels overly simplistic to say that Bechdel is queering the act of exercising, but there’s a distinctly antiestablishment flavor to her desire to get stronger in a world that commands women to shrink down and cower before the male gaze. Bechdel says she’s heartened by the strides that the LGBTQ+ community has made since she first started writing and drawing, but she’s also aware that gains can always be lost and that progress only goes so far. (She singles out the recent legislative attacks on the trans community as “particularly troubling.”) With The Secret to Superhuman Strength, Bechdel has—intentionally or not—provided a kind of handbook for a community whose right to bodily autonomy and self-governance is still frequently called into question. And really, what could be more subtly revolutionary than that? For the last few months, something bizarre has been happening every time I pick up a book: My mind goes blank, and I start thinking instead about rewatching the queer season of Are You the One? To be fair, that particular season of reality TV is never far from my mind, but pre-pandemic, I loved nothing more than diving headfirst into a good book, whether it was LGBTQ+ fiction or a juicy celebrity memoir.Apparently, I’m not alone in my reading trouble; a May 2020 Vox story noted that many people were having trouble quieting their pandemic-incited anxiety and confusion for long enough to get lost in writing, with neuroscientist and psychologist Oliver J. Robinson saying of the phenomenon, “What we’re doing is trying to resolve this uncertainty that is unresolvable.”Of course, I still have to read a lot for work, but I’d be lying if I said I was taking as much enjoyment in books as I was before March of 2020. All that changed, though, when I heard the news that I May Destroy You creator Michaela Coel would be releasing her first book, Misfits: A Personal Manifesto, on September 7, 2021.I’ve been obsessed with Coel to a humiliating degree ever since I saw my first episode of her sitcom Chewing Gum, and the idea of getting to read hundreds of pages worth of her reflections on Hollywood, TV, fame, and whatever else crosses her mind actually has me excited to open a book again. “By turns inquisitive, devastating, beautiful, and hilarious, Michaela’s storytelling forever urges us to think again,” said Marianne Tatepo, Coel’s commissioning editor at Ebury, in a statement, and I don’t doubt Coel’s voice will be as kinetic on the page as it is onscreen. I do hope I catch the reading bug again sometime before Coel’s debut is released, but if I don’t, I’d be honored to break my literary fast with Misfits. Hurry up and get here, September! What do a brain-implanted microchip, a nefarious tech mogul, a sex doll named Diane, and a domesticated swimming-pool dolphin have in common? They’re all features of Alissa Nutting’s bizarre, brilliant 2017 novel, Made for Love, which centers on a fleeing wife who realizes that her billionaire husband is surveilling her from inside her own mind. The adaptation of that novel debuts as a dark sci-fi comedy starring Cristin Milioti, Ray Romano, and Billy Magnussen on HBO Max this Thursday, April 1.In advance of the series premiere, Vogue spoke to Nutting about the unique experience of seeing her novel make it onto the air, how her “dream cast” got her through a year made infinitely more difficult by COVID-19, her love of reality TV, and her love-hate relationship with technology. Read the conversation below.Vogue: When you were writing Made for Love, did you ever picture it onscreen?Alissa Nutting: Not when I was writing the book because I was so internal about it. After I was done, kind of, because then I was able to think beyond writing. I have a real kind of hermit process with stuff that’s on the page, though, and it’s almost, like, anti-visual. Some people have their desks facing outside to look at the beauty of nature, but I always want to look at a wall with no sound whatsoever. Nothing beautiful or distracting whatsoever.How are you feeling about the show’s premiere?Having been so involved in the writing for both the book and the show, it’s like, if people say, “Oh, the show is so much better than the book,” that will be sad for me in one way, and then if people are like, “Oh, the book is so much better than the show,” that’ll be sad too! I’m just kind of hoping that people will enjoy both, for both different and similar reasons.What was your experience like as an executive producer on the show?Well, that title can mean a lot of things, but I got to cowrite pretty much everything with Christina [Lee, Made for Love’s showrunner). We also had a writer’s room, but I was there for every second of shooting, prep, post, and editing, so it’s kind of been my life for the last two years. It’s a little surreal to see it be out in the world! (Laughs.)I know you said you didn’t think much about a TV version while writing, but…did you ever dream cast the book in your head?Yes, and Cristin Milioti was always my top choice. I never really wanted to think beyond her. We were able to get such an amazing cast. Ray Romano might not have been who I was initially picturing, but it was one of those things where the second [he] came up, there was this collective gasp and we just realized how perfect this beloved actor would be for a more curmudgeonly role. Billy Magnussen brought so much heart to it too; I can’t say enough good things about the cast. It’s been such a difficult year with COVID-19 and everything, but now these people are truly close to my heart.I’m such a fan of your debut novel, Tampa. Is that one you could ever see being adapted?Well, that one has a lot of its own unique challenges that it would bring to an adaptation, but with the right team…that would definitely be interesting.On another note, what have you been watching and reading to get you through this tough year?Well, I love a reality show. My very favorite show is Love After Lockup, where people fall in love while one of them is incarcerated, and then they’re released. I’ve also really gravitated towards self-help books in between reading scripts; you know, a lot of things about acceptance of the present moment. I would listen to those on Audible, and I found them really helpful.Is there anything in particular you hope that viewers take away from watching Made for Love in its TV form?Well, so much of it is about technology and really investigating the ways in which technology can both facilitate and negatively impact our relationships, especially romantic ones. That comes into play in so many relationships, whether it’s in terms of screen time or online porn or whatever it may be. There’s such a sense in our culture that you have to meet your other half in order to be whole and happy, and I think Made for Love is about two people seeking completeness in each other or in another kind of life. It’s also sort of about how when we look to something outside ourselves for satisfaction, whether it’s technology or another person, that’s going to catch up to us eventually.What does your own relationship with technology and social media look like these days?It’s both a lovely one and a hard one and—in some ways—kind of a voyeuristic one. The amount that I tweet is not at all indicative of how much time I spend on Twitter. The majority of the time that I spend on it is really just looking and reading. I use the internet pretty compulsively because I have an addictive personality, and then I’ll go on these quests to try to unplug from it and disconnect because I do see it as an emotional distraction in my life. This past year, though, what options did we really have? It’s a problematic relationship, but it’s also really tinged with gratitude because I feel like technology did help me get through a lot of isolation.This interview has been edited and condensed. Product detail: Suitable for Women/Men/Girl/Boy, Fashion 3D digital print drawstring hoodies, long sleeve with big pocket front. It’s a good gift for birthday/Christmas and so on, The real color of the item may be slightly different from the pictures shown on website caused by many factors such as brightness of your monitor and light brightness, The print on the item might be slightly different from pictures for different batch productions, There may be 1-2 cm deviation in different sizes, locations, and stretch of fabrics. Size chart is for reference only, there may be a little difference with what you get. Material Type: 35% Cotton – 65% Polyester Soft material feels great on your skin and very light Features pronounced sleeve cuffs, prominent waistband hem and kangaroo pocket fringes Taped neck and shoulders for comfort and style Print: Dye-sublimation printing, colors won’t fade or peel Wash Care: Recommendation Wash it by hand in below 30-degree water, hang to dry in shade, prohibit bleaching, Low Iron if Necessary Vistit Ncovshirts shop This product belong to hung2
With Secure Checkout (100% Secure payment with SSL Encryption), Return & Warranty (If you’re not 100% satisfied, let us know and we’ll make it right.), Worldwide shipping available, Buy 2 or more to save shipping. Last Day To – BUY IT or LOSE IT FOREVER. Only available for a LIMITED TIME – NOT FOUND IN STORES! Click here to buy this shirt: Click here to buy this Nice life is a Shihtzu T-Shirt There are times when being a member of the LGBTQ+ community—and a lesbian in particular—feels like an Easter-egg hunt for representation. Queer women are used to mining everything from a cryptic celebrity Instagram to the discography of Taylor Swift for clues that someone in the public eye might be one of us, and to be honest, the constant hustle to be seen—especially for lesbians who don’t fit the skinny, white, femme, upper-middle-class, L Word mold—can be exhausting.All that might explain why the work of an artist and writer like Alison Bechdel feels so pivotal. Bechdel has been woven into the fabric of lesbian cultural identity ever since she started publishing the comic strip Dykes to Watch Out For in 1983, and at no point in her decades-long career has she ever compromised on directly addressing her sexuality. To understand Bechdel as a chronicler of lesbian issues only, though, is to sell her short; the exploration of queer identity makes up just one part of her broad oeuvre, along with the family trauma she examined in the 2006 graphic memoir (and later Broadway musical) Fun Home, the psychoanalysis she delved into in 2012’s companion piece Are You My Mother?, and—most recently—the lifelong obsession with exercise that she crystallizes in next month’s The Secret to Superhuman Strength (Houghton Mifflin Harcourt).Outside of the niche queer-graphic-novel world, Bechdel is perhaps best known for the Bechdel Test, a measure of the representation of women onscreen and in print. (For a work to pass the test, two female characters must talk to each other about something other than a man.) When, on a recent call, I ask Bechdel what it’s like to be forever enshrined in feminist history thanks to her eponymous test, she laughs and responds, “I feel very pleased by it, but for a while I felt a bit befuddled. I never sat down and said, ‘This is going to be a thing,’ but I’ve come to accept it and even feel proud of it.”Bechdel isn’t the type of artist to believe her own hype, even when said hype is well warranted. When I ask how it feels to have created work that so many queer people identify with, she’s hesitant: “I went through a period of feeling very anxious about that, because many young people would tell me that my comic-strip characters were the first lesbians they’d met. I was like, Oh, my God, what am I telling these people? I should be more careful. I don’t feel that concern as much anymore, partly because there are hundreds and thousands of people writing about queer stuff. It’s just a much wider field these days.”Perhaps it’s the widening of that field that freed Bechdel up to write The Secret to Superhuman Strength. Some might read the memoir’s description and expect an account from a woman beholden to Pilates or Flywheel or any other trendy boutique fitness class where an hour in a sweaty room costs roughly the same as a nice meal out. But for Bechdel, exercise isn’t really about aesthetics; it’s about strength, a virtue she’s been in thrall to ever since she first saw bodybuilder Charles Atlas on TV as a child. At 60, Bechdel appears wholly uninterested in perpetuating the workout-as-self-care trope; she makes it clear that her relationship with exercise is something much deeper and more fraught.“I made a decision not to discuss body image in the book because I think it’s unusual for women not to talk about it.”“I love to see people exercise just because they want to. I don’t think it should be connected to anything else, or it will just become miserable,” says Bechdel. She admits, though, that it’s hard to center a whole book around exercise without occasionally falling into the trap of presenting it as a moral imperative. “I do feel a little sheepish about being so pro-exercise without having a thorough critique of sizeism, but I made a decision not to discuss body image in the book because I think it’s unusual for women not to talk about it.”Bechdel’s complex, often painful life story is a matter of public record—in Fun Home, she wrote about losing her long-closeted father to suicide shortly after coming out as a lesbian, and in Are You My Mother?, she chronicled her thorny relationship with her often-distant mother. In The Secret to Superhuman Strength, though, exercise is presented as a possible corrective to all that pain, a lifelong pursuit of self-improvement and internal balance that helped Bechdel through some of her toughest years. “Exercise is the one part of my life that isn’t riddled with conflict,” she says, adding, “I don’t want to come off as an exercise evangelist because I think that can be off-putting, but I like to think of it as a bit of relief from my cerebral life.”Bechdel’s graphic novels are often placed into contextual conversation with the work of other writers, and The Secret to Superhuman Strength is no exception. She ping-pongs between her own ideas and those of Ralph Waldo Emerson, Jack Kerouac, and Adrienne Rich, creating a canon around the art of moving one’s body that joyfully complicates the notion of exercise as an anti-cerebral activity (even if that is partly why Bechdel is drawn to it). Bechdel and her partner—the artist Holly Rae Taylor, who colored the book’s images—live in Vermont, where they favor long hikes and bike rides. Like many others, however, Bechdel had trouble adjusting her exercise routine to fit the confines of the COVID-19 pandemic, saying, “I was very sad to fall off the weight-lifting wagon when the gyms closed.”When I ask Bechdel what she hopes people take away from the book, I expect her to say more about the discipline that exercise has brought to her life. Instead, she’s almost philosophical in response: “I hope people take away a belief that it’s possible to really change. That’s a question I’ve often had for myself—like, Am I really making any kind of psychic or spiritual progress in my life? But I really do think that if we apply ourselves, we can change. The only thing is that it takes so much longer than anyone ever suspects! If we really knew how long it took to make real change happen in ourselves, we would quit immediately.” The concept of exercise bringing about change is one that’s all too familiar, given the rise of wellness influencers peddling at-home fitness routines and the ever-present onslaught of Noom and Weight Watchers ads that encourage prospective dieters to trade physical movement for extra food. It can be incredibly freeing, though, to begin to view exercise as Bechdel does, as a kind of ongoing commitment to oneself, rather than a snake-oil cure for the so-called problem of existing in a corporeal form.It feels overly simplistic to say that Bechdel is queering the act of exercising, but there’s a distinctly antiestablishment flavor to her desire to get stronger in a world that commands women to shrink down and cower before the male gaze. Bechdel says she’s heartened by the strides that the LGBTQ+ community has made since she first started writing and drawing, but she’s also aware that gains can always be lost and that progress only goes so far. (She singles out the recent legislative attacks on the trans community as “particularly troubling.”) With The Secret to Superhuman Strength, Bechdel has—intentionally or not—provided a kind of handbook for a community whose right to bodily autonomy and self-governance is still frequently called into question. And really, what could be more subtly revolutionary than that? For the last few months, something bizarre has been happening every time I pick up a book: My mind goes blank, and I start thinking instead about rewatching the queer season of Are You the One? To be fair, that particular season of reality TV is never far from my mind, but pre-pandemic, I loved nothing more than diving headfirst into a good book, whether it was LGBTQ+ fiction or a juicy celebrity memoir.Apparently, I’m not alone in my reading trouble; a May 2020 Vox story noted that many people were having trouble quieting their pandemic-incited anxiety and confusion for long enough to get lost in writing, with neuroscientist and psychologist Oliver J. Robinson saying of the phenomenon, “What we’re doing is trying to resolve this uncertainty that is unresolvable.”Of course, I still have to read a lot for work, but I’d be lying if I said I was taking as much enjoyment in books as I was before March of 2020. All that changed, though, when I heard the news that I May Destroy You creator Michaela Coel would be releasing her first book, Misfits: A Personal Manifesto, on September 7, 2021.I’ve been obsessed with Coel to a humiliating degree ever since I saw my first episode of her sitcom Chewing Gum, and the idea of getting to read hundreds of pages worth of her reflections on Hollywood, TV, fame, and whatever else crosses her mind actually has me excited to open a book again. “By turns inquisitive, devastating, beautiful, and hilarious, Michaela’s storytelling forever urges us to think again,” said Marianne Tatepo, Coel’s commissioning editor at Ebury, in a statement, and I don’t doubt Coel’s voice will be as kinetic on the page as it is onscreen. I do hope I catch the reading bug again sometime before Coel’s debut is released, but if I don’t, I’d be honored to break my literary fast with Misfits. Hurry up and get here, September! What do a brain-implanted microchip, a nefarious tech mogul, a sex doll named Diane, and a domesticated swimming-pool dolphin have in common? They’re all features of Alissa Nutting’s bizarre, brilliant 2017 novel, Made for Love, which centers on a fleeing wife who realizes that her billionaire husband is surveilling her from inside her own mind. The adaptation of that novel debuts as a dark sci-fi comedy starring Cristin Milioti, Ray Romano, and Billy Magnussen on HBO Max this Thursday, April 1.In advance of the series premiere, Vogue spoke to Nutting about the unique experience of seeing her novel make it onto the air, how her “dream cast” got her through a year made infinitely more difficult by COVID-19, her love of reality TV, and her love-hate relationship with technology. Read the conversation below.Vogue: When you were writing Made for Love, did you ever picture it onscreen?Alissa Nutting: Not when I was writing the book because I was so internal about it. After I was done, kind of, because then I was able to think beyond writing. I have a real kind of hermit process with stuff that’s on the page, though, and it’s almost, like, anti-visual. Some people have their desks facing outside to look at the beauty of nature, but I always want to look at a wall with no sound whatsoever. Nothing beautiful or distracting whatsoever.How are you feeling about the show’s premiere?Having been so involved in the writing for both the book and the show, it’s like, if people say, “Oh, the show is so much better than the book,” that will be sad for me in one way, and then if people are like, “Oh, the book is so much better than the show,” that’ll be sad too! I’m just kind of hoping that people will enjoy both, for both different and similar reasons.What was your experience like as an executive producer on the show?Well, that title can mean a lot of things, but I got to cowrite pretty much everything with Christina [Lee, Made for Love’s showrunner). We also had a writer’s room, but I was there for every second of shooting, prep, post, and editing, so it’s kind of been my life for the last two years. It’s a little surreal to see it be out in the world! (Laughs.)I know you said you didn’t think much about a TV version while writing, but…did you ever dream cast the book in your head?Yes, and Cristin Milioti was always my top choice. I never really wanted to think beyond her. We were able to get such an amazing cast. Ray Romano might not have been who I was initially picturing, but it was one of those things where the second [he] came up, there was this collective gasp and we just realized how perfect this beloved actor would be for a more curmudgeonly role. Billy Magnussen brought so much heart to it too; I can’t say enough good things about the cast. It’s been such a difficult year with COVID-19 and everything, but now these people are truly close to my heart.I’m such a fan of your debut novel, Tampa. Is that one you could ever see being adapted?Well, that one has a lot of its own unique challenges that it would bring to an adaptation, but with the right team…that would definitely be interesting.On another note, what have you been watching and reading to get you through this tough year?Well, I love a reality show. My very favorite show is Love After Lockup, where people fall in love while one of them is incarcerated, and then they’re released. I’ve also really gravitated towards self-help books in between reading scripts; you know, a lot of things about acceptance of the present moment. I would listen to those on Audible, and I found them really helpful.Is there anything in particular you hope that viewers take away from watching Made for Love in its TV form?Well, so much of it is about technology and really investigating the ways in which technology can both facilitate and negatively impact our relationships, especially romantic ones. That comes into play in so many relationships, whether it’s in terms of screen time or online porn or whatever it may be. There’s such a sense in our culture that you have to meet your other half in order to be whole and happy, and I think Made for Love is about two people seeking completeness in each other or in another kind of life. It’s also sort of about how when we look to something outside ourselves for satisfaction, whether it’s technology or another person, that’s going to catch up to us eventually.What does your own relationship with technology and social media look like these days?It’s both a lovely one and a hard one and—in some ways—kind of a voyeuristic one. The amount that I tweet is not at all indicative of how much time I spend on Twitter. The majority of the time that I spend on it is really just looking and reading. I use the internet pretty compulsively because I have an addictive personality, and then I’ll go on these quests to try to unplug from it and disconnect because I do see it as an emotional distraction in my life. This past year, though, what options did we really have? It’s a problematic relationship, but it’s also really tinged with gratitude because I feel like technology did help me get through a lot of isolation.This interview has been edited and condensed. Product detail: Suitable for Women/Men/Girl/Boy, Fashion 3D digital print drawstring hoodies, long sleeve with big pocket front. It’s a good gift for birthday/Christmas and so on, The real color of the item may be slightly different from the pictures shown on website caused by many factors such as brightness of your monitor and light brightness, The print on the item might be slightly different from pictures for different batch productions, There may be 1-2 cm deviation in different sizes, locations, and stretch of fabrics. Size chart is for reference only, there may be a little difference with what you get. Material Type: 35% Cotton – 65% Polyester Soft material feels great on your skin and very light Features pronounced sleeve cuffs, prominent waistband hem and kangaroo pocket fringes Taped neck and shoulders for comfort and style Print: Dye-sublimation printing, colors won’t fade or peel Wash Care: Recommendation Wash it by hand in below 30-degree water, hang to dry in shade, prohibit bleaching, Low Iron if Necessary Vistit Ncovshirts shop This product belong to hung2 Honor Strength Discipline Tee Shirts Black With Secure Checkout (100% Secure payment with SSL Encryption), Return & Warranty (If you’re not 100% satisfied, let us know and we’ll make it right.), Worldwide shipping available, Buy 2 or more to save shipping. Last Day To – BUY IT or LOSE IT FOREVER. Only available for a LIMITED TIME – NOT FOUND IN STORES! Click here to buy this shirt: Click here to buy this Nice life is a Shihtzu T-Shirt There are times when being a member of the LGBTQ+ community—and a lesbian in particular—feels like an Easter-egg hunt for representation. Queer women are used to mining everything from a cryptic celebrity Instagram to the discography of Taylor Swift for clues that someone in the public eye might be one of us, and to be honest, the constant hustle to be seen—especially for lesbians who don’t fit the skinny, white, femme, upper-middle-class, L Word mold—can be exhausting.All that might explain why the work of an artist and writer like Alison Bechdel feels so pivotal. Bechdel has been woven into the fabric of lesbian cultural identity ever since she started publishing the comic strip Dykes to Watch Out For in 1983, and at no point in her decades-long career has she ever compromised on directly addressing her sexuality. To understand Bechdel as a chronicler of lesbian issues only, though, is to sell her short; the exploration of queer identity makes up just one part of her broad oeuvre, along with the family trauma she examined in the 2006 graphic memoir (and later Broadway musical) Fun Home, the psychoanalysis she delved into in 2012’s companion piece Are You My Mother?, and—most recently—the lifelong obsession with exercise that she crystallizes in next month’s The Secret to Superhuman Strength (Houghton Mifflin Harcourt).Outside of the niche queer-graphic-novel world, Bechdel is perhaps best known for the Bechdel Test, a measure of the representation of women onscreen and in print. (For a work to pass the test, two female characters must talk to each other about something other than a man.) When, on a recent call, I ask Bechdel what it’s like to be forever enshrined in feminist history thanks to her eponymous test, she laughs and responds, “I feel very pleased by it, but for a while I felt a bit befuddled. I never sat down and said, ‘This is going to be a thing,’ but I’ve come to accept it and even feel proud of it.”Bechdel isn’t the type of artist to believe her own hype, even when said hype is well warranted. When I ask how it feels to have created work that so many queer people identify with, she’s hesitant: “I went through a period of feeling very anxious about that, because many young people would tell me that my comic-strip characters were the first lesbians they’d met. I was like, Oh, my God, what am I telling these people? I should be more careful. I don’t feel that concern as much anymore, partly because there are hundreds and thousands of people writing about queer stuff. It’s just a much wider field these days.”Perhaps it’s the widening of that field that freed Bechdel up to write The Secret to Superhuman Strength. Some might read the memoir’s description and expect an account from a woman beholden to Pilates or Flywheel or any other trendy boutique fitness class where an hour in a sweaty room costs roughly the same as a nice meal out. But for Bechdel, exercise isn’t really about aesthetics; it’s about strength, a virtue she’s been in thrall to ever since she first saw bodybuilder Charles Atlas on TV as a child. At 60, Bechdel appears wholly uninterested in perpetuating the workout-as-self-care trope; she makes it clear that her relationship with exercise is something much deeper and more fraught.“I made a decision not to discuss body image in the book because I think it’s unusual for women not to talk about it.”“I love to see people exercise just because they want to. I don’t think it should be connected to anything else, or it will just become miserable,” says Bechdel. She admits, though, that it’s hard to center a whole book around exercise without occasionally falling into the trap of presenting it as a moral imperative. “I do feel a little sheepish about being so pro-exercise without having a thorough critique of sizeism, but I made a decision not to discuss body image in the book because I think it’s unusual for women not to talk about it.”Bechdel’s complex, often painful life story is a matter of public record—in Fun Home, she wrote about losing her long-closeted father to suicide shortly after coming out as a lesbian, and in Are You My Mother?, she chronicled her thorny relationship with her often-distant mother. In The Secret to Superhuman Strength, though, exercise is presented as a possible corrective to all that pain, a lifelong pursuit of self-improvement and internal balance that helped Bechdel through some of her toughest years. “Exercise is the one part of my life that isn’t riddled with conflict,” she says, adding, “I don’t want to come off as an exercise evangelist because I think that can be off-putting, but I like to think of it as a bit of relief from my cerebral life.”Bechdel’s graphic novels are often placed into contextual conversation with the work of other writers, and The Secret to Superhuman Strength is no exception. She ping-pongs between her own ideas and those of Ralph Waldo Emerson, Jack Kerouac, and Adrienne Rich, creating a canon around the art of moving one’s body that joyfully complicates the notion of exercise as an anti-cerebral activity (even if that is partly why Bechdel is drawn to it). Bechdel and her partner—the artist Holly Rae Taylor, who colored the book’s images—live in Vermont, where they favor long hikes and bike rides. Like many others, however, Bechdel had trouble adjusting her exercise routine to fit the confines of the COVID-19 pandemic, saying, “I was very sad to fall off the weight-lifting wagon when the gyms closed.”When I ask Bechdel what she hopes people take away from the book, I expect her to say more about the discipline that exercise has brought to her life. Instead, she’s almost philosophical in response: “I hope people take away a belief that it’s possible to really change. That’s a question I’ve often had for myself—like, Am I really making any kind of psychic or spiritual progress in my life? But I really do think that if we apply ourselves, we can change. The only thing is that it takes so much longer than anyone ever suspects! If we really knew how long it took to make real change happen in ourselves, we would quit immediately.” The concept of exercise bringing about change is one that’s all too familiar, given the rise of wellness influencers peddling at-home fitness routines and the ever-present onslaught of Noom and Weight Watchers ads that encourage prospective dieters to trade physical movement for extra food. It can be incredibly freeing, though, to begin to view exercise as Bechdel does, as a kind of ongoing commitment to oneself, rather than a snake-oil cure for the so-called problem of existing in a corporeal form.It feels overly simplistic to say that Bechdel is queering the act of exercising, but there’s a distinctly antiestablishment flavor to her desire to get stronger in a world that commands women to shrink down and cower before the male gaze. Bechdel says she’s heartened by the strides that the LGBTQ+ community has made since she first started writing and drawing, but she’s also aware that gains can always be lost and that progress only goes so far. (She singles out the recent legislative attacks on the trans community as “particularly troubling.”) With The Secret to Superhuman Strength, Bechdel has—intentionally or not—provided a kind of handbook for a community whose right to bodily autonomy and self-governance is still frequently called into question. And really, what could be more subtly revolutionary than that? For the last few months, something bizarre has been happening every time I pick up a book: My mind goes blank, and I start thinking instead about rewatching the queer season of Are You the One? To be fair, that particular season of reality TV is never far from my mind, but pre-pandemic, I loved nothing more than diving headfirst into a good book, whether it was LGBTQ+ fiction or a juicy celebrity memoir.Apparently, I’m not alone in my reading trouble; a May 2020 Vox story noted that many people were having trouble quieting their pandemic-incited anxiety and confusion for long enough to get lost in writing, with neuroscientist and psychologist Oliver J. Robinson saying of the phenomenon, “What we’re doing is trying to resolve this uncertainty that is unresolvable.”Of course, I still have to read a lot for work, but I’d be lying if I said I was taking as much enjoyment in books as I was before March of 2020. All that changed, though, when I heard the news that I May Destroy You creator Michaela Coel would be releasing her first book, Misfits: A Personal Manifesto, on September 7, 2021.I’ve been obsessed with Coel to a humiliating degree ever since I saw my first episode of her sitcom Chewing Gum, and the idea of getting to read hundreds of pages worth of her reflections on Hollywood, TV, fame, and whatever else crosses her mind actually has me excited to open a book again. “By turns inquisitive, devastating, beautiful, and hilarious, Michaela’s storytelling forever urges us to think again,” said Marianne Tatepo, Coel’s commissioning editor at Ebury, in a statement, and I don’t doubt Coel’s voice will be as kinetic on the page as it is onscreen. I do hope I catch the reading bug again sometime before Coel’s debut is released, but if I don’t, I’d be honored to break my literary fast with Misfits. Hurry up and get here, September! What do a brain-implanted microchip, a nefarious tech mogul, a sex doll named Diane, and a domesticated swimming-pool dolphin have in common? They’re all features of Alissa Nutting’s bizarre, brilliant 2017 novel, Made for Love, which centers on a fleeing wife who realizes that her billionaire husband is surveilling her from inside her own mind. The adaptation of that novel debuts as a dark sci-fi comedy starring Cristin Milioti, Ray Romano, and Billy Magnussen on HBO Max this Thursday, April 1.In advance of the series premiere, Vogue spoke to Nutting about the unique experience of seeing her novel make it onto the air, how her “dream cast” got her through a year made infinitely more difficult by COVID-19, her love of reality TV, and her love-hate relationship with technology. Read the conversation below.Vogue: When you were writing Made for Love, did you ever picture it onscreen?Alissa Nutting: Not when I was writing the book because I was so internal about it. After I was done, kind of, because then I was able to think beyond writing. I have a real kind of hermit process with stuff that’s on the page, though, and it’s almost, like, anti-visual. Some people have their desks facing outside to look at the beauty of nature, but I always want to look at a wall with no sound whatsoever. Nothing beautiful or distracting whatsoever.How are you feeling about the show’s premiere?Having been so involved in the writing for both the book and the show, it’s like, if people say, “Oh, the show is so much better than the book,” that will be sad for me in one way, and then if people are like, “Oh, the book is so much better than the show,” that’ll be sad too! I’m just kind of hoping that people will enjoy both, for both different and similar reasons.What was your experience like as an executive producer on the show?Well, that title can mean a lot of things, but I got to cowrite pretty much everything with Christina [Lee, Made for Love’s showrunner). We also had a writer’s room, but I was there for every second of shooting, prep, post, and editing, so it’s kind of been my life for the last two years. It’s a little surreal to see it be out in the world! (Laughs.)I know you said you didn’t think much about a TV version while writing, but…did you ever dream cast the book in your head?Yes, and Cristin Milioti was always my top choice. I never really wanted to think beyond her. We were able to get such an amazing cast. Ray Romano might not have been who I was initially picturing, but it was one of those things where the second [he] came up, there was this collective gasp and we just realized how perfect this beloved actor would be for a more curmudgeonly role. Billy Magnussen brought so much heart to it too; I can’t say enough good things about the cast. It’s been such a difficult year with COVID-19 and everything, but now these people are truly close to my heart.I’m such a fan of your debut novel, Tampa. Is that one you could ever see being adapted?Well, that one has a lot of its own unique challenges that it would bring to an adaptation, but with the right team…that would definitely be interesting.On another note, what have you been watching and reading to get you through this tough year?Well, I love a reality show. My very favorite show is Love After Lockup, where people fall in love while one of them is incarcerated, and then they’re released. I’ve also really gravitated towards self-help books in between reading scripts; you know, a lot of things about acceptance of the present moment. I would listen to those on Audible, and I found them really helpful.Is there anything in particular you hope that viewers take away from watching Made for Love in its TV form?Well, so much of it is about technology and really investigating the ways in which technology can both facilitate and negatively impact our relationships, especially romantic ones. That comes into play in so many relationships, whether it’s in terms of screen time or online porn or whatever it may be. There’s such a sense in our culture that you have to meet your other half in order to be whole and happy, and I think Made for Love is about two people seeking completeness in each other or in another kind of life. It’s also sort of about how when we look to something outside ourselves for satisfaction, whether it’s technology or another person, that’s going to catch up to us eventually.What does your own relationship with technology and social media look like these days?It’s both a lovely one and a hard one and—in some ways—kind of a voyeuristic one. The amount that I tweet is not at all indicative of how much time I spend on Twitter. The majority of the time that I spend on it is really just looking and reading. I use the internet pretty compulsively because I have an addictive personality, and then I’ll go on these quests to try to unplug from it and disconnect because I do see it as an emotional distraction in my life. This past year, though, what options did we really have? It’s a problematic relationship, but it’s also really tinged with gratitude because I feel like technology did help me get through a lot of isolation.This interview has been edited and condensed. Product detail: Suitable for Women/Men/Girl/Boy, Fashion 3D digital print drawstring hoodies, long sleeve with big pocket front. It’s a good gift for birthday/Christmas and so on, The real color of the item may be slightly different from the pictures shown on website caused by many factors such as brightness of your monitor and light brightness, The print on the item might be slightly different from pictures for different batch productions, There may be 1-2 cm deviation in different sizes, locations, and stretch of fabrics. Size chart is for reference only, there may be a little difference with what you get. Material Type: 35% Cotton – 65% Polyester Soft material feels great on your skin and very light Features pronounced sleeve cuffs, prominent waistband hem and kangaroo pocket fringes Taped neck and shoulders for comfort and style Print: Dye-sublimation printing, colors won’t fade or peel Wash Care: Recommendation Wash it by hand in below 30-degree water, hang to dry in shade, prohibit bleaching, Low Iron if Necessary Vistit Ncovshirts shop This product belong to hung2
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